![]() They're essentially an R&B outfit - funky-butt is Springsteen's musical pied-a-terre - but they can play anything thrown at them, be it jazz or Highway 61 Revisited. Sancious on keyboards and Clarence Clemons on saxes, cook with power and precision, particularly on "Rosalita" and "Kitty's Back," the album's outstanding rockers. In the midst of a raucous celebration of desire, "Rosalita," he can suddenly turn around and sing, "Some day we'll look back on this and think we all seem funny."īut none of this would matter if the music were humdrum - it isn't. They're striking amalgams of romance and gritty realism: "And the boys from the casino dance with their shirts open like Latin lovers on the shore,/ Chasin' all those silly New York virgins by the score." The loveliness of the first line, the punk savvy of the second, and the humor of the ensemble add up to Springsteen's characteristic ambivalence and a complex appeal reminiscent of the Shangri-Las. Like Greetings, the new album is about the streets of New York and the tacky Jersey Shore, but the lyrics are no longer merely zany cut-ups. Having released two fine albums in less than a year, Springsteen is obviously a considerable new talent. The songs are longer, more ambitious and more romantic and yet, wonderfully, they lose little of Greetings' rollicking rush. The Wild, the Innocent and the E Street Shuffle takes itself more seriously. Springsteen was rhyming and wailing for the sheer fun of it, and his manic exuberance more than canceled out his debts to Dylan, Van Morrison and the Band. Most of it didn't make much sense, but that was the point. Greetings from Asbury Park, Bruce Springsteen's uproarious debut album, sounded like "Subterranean Homesick Blues" played at 78, a typical five-minute track bursting with more words than this review. ![]() The Wild, the Innocent and the E Street Shuffle Bruce Springsteen - The Wild, the Innocent and the E Street Shuffle ![]()
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